World War ZZZ: Phase 4

I now enter Phase 4 of my latest project.

World War ZZZ is a book about what would happen if the world stopped sleeping.  It’s gripping, compelling, and heartbreaking.  It showcases the depths that humanity can sink to, and also the heights to which it can soar, when put to the ultimate test.

It’s written.  It’s edited.  (Side note- this is the fewest edits I’ve ever received from my beta readers; I’m getting pretty darn good at editing!  Or maybe the story was so good that their attention was elsewhere?  Either way I’m pretty stoked.)

And now comes a part I’ve previously dreaded: approaching agents with the work to see if they would represent it and take it to publishers.

But I’m not dreading it.  I’m actually feeling pretty pumped about it.  Why?  Because I know this book will pull people in.  I know it will sell.  I am so confident in this manuscript that I am in danger of feeling overly confident.  A little arrogant maybe even.

After all, this was the most difficult thing I’ve ever written, and it turned out damn good.  Damn good I say old chap.

Or maybe this feeling is covering for the terror of agent-hunting yet again?  *nervous laughter* 


In any case, I’ve queried a few agents who I’d love to work with.  Watching interviews and looking at their existing clientele is a great way to see if an agent is for you, and so far I’ve found several who I think would rep this novel well.

So I’ll keep you updated with how it’s going.  Every full request bolsters my spirit, every rejection is expected.  I’ll grab one of them enough to go to bat for World War ZZZ, and then we’ll get this party really started.

In the mean time, here’s a great way to find and share music I’ve been participating in:

plug.dj.com is pretty neat!  You basically are in a room with people sharing music, and you can share too!  You have three options when a song is playing: woot! (you like it), grab (you like it enough to save it for later listening), and meh (you don’t care for it).

I’ve been listening to tunes with the folks on the Miner Apocalypse minecraft server, and you can come see if anyone is DJing, here. If not, set up a playlist! 🙂  Once I begin my next project, I’ll be playing music to write to here.  (I’ll let you know when the tunes star flowing in case you want some writing background sound too!)  I love making playlists to add to the ambiance of whatever genre I’m writing.  Western Inspiration, Noir, Epic Film Soundtracks, Rock.

If you hear something you like, grab it for later, and then find it in iTunes!  I’ve bought more new music from hearing it on plug.dj than anything else recently.

Hope to see/hear you there!

I played Banished for a little too much there… I had three builders building their town’s first Tavern, and I’ve never seen them work so fast.

Heh.

What else.  Oh man, at the end of writing, I was binge-watching TV shows like it was my job.  It was such a good escape from the horrors I was crafting in the novel, even though some of the shows I watched took horror to a whole new level.

Like, holy smokes.
It’s terrible, but such a guiltly pleasure.

And then it was Attack on Titan.

I could write a whole post on this one, but I think the less I say, the better.  I went into it knowing very little, and it was a better experience for it.

I’ll tell you it’s an anime, it’s brutal, and scary and disturbing.  There are giant monsters that eat people.  The monsters look like people.  We made walls to keep them out, and we live in a safe zone inside the outer wall.  The show begins on the day that this outer wall is breached.

Just an amazing show.  Many feelings.  Such tears.  Wow.

Yesterday, after I spent the morning querying, I watched Rick and Morty, and I loved it.  Oh, Dan Harmon is involved (you know, from Community?).

It’s pretty dope.  And then around episode 6 it goes from funny to like, way more serious than I was expecting.  Like, things got real.  And I loved it even more.

The last of the TV worth mentioning is this stunning HBO miniseries, True Detective. Talk about sublime characterization; my god man, this show pulled me in and wouldn’t let go until the final second. I gotta recommend it.

Oh yeah, I haven’t just been studying storytelling/rotting my brain with TV… I have been play testing a board game in development, and reading.  I read The Handmaid’s Tale (how on earth did I go this long without having read Margaret Atwood!  I skipped grade 11 English so maybe it wasn’t entirely the school’s fault…).

I’m also giving Neil Gaiman a rare 4th shot.  Usually it’s 3 strikes and you’re out.  But when I tell people I’m not into Neil Gaiman I get looks like I’ve just drowned a sac of puppies or something… *sigh*  So I’ll try again.  I really want to like his writing.

Anyway this post is bordering on the rambling, so I’ll end it here.  I’ll keep you updated with good news as it comes in.

Thank you all for your support.  It’s really lovely of you to continue to stop by and see how things are going on this long road to being a published author!  ❤

Cheerio.

Thanks for reading.

Heidi out.

Adding to the melee of ideas

I’ve been seeing a ton of great writing recently.  Not in print mind you, I’ve been woefully inadequate in my reading habits lately, but on screen.

Skyfall was just fantastic.  The direction was brilliant, the cinematography a veritable bath of candy for my eyes, and the script- well damn.  The actors of course brought it to life with gusto, but they couldn’t have done so without the words there to work with.  Javier Bardem took it and ran with it, to great, great effect.

Some possible spoilers (but amazing images) in an album of amazing shots from Skyfall.

Fantastic imagery.

Also, something you may not have seen, is a cartoon called Gravity Falls, which I’ve been hearing all all about and finally started watching.  It’s a) extremely well written b) cute c) hilarious d) all of the above.

I can’t wait to see Grampton St. Rumpterfrabble as the rousable cockswain Saunterblugget Hampterfuppinshire.

Here’s an episode to get you interested.  I hope it can get some more buzz so we can see more episodes; the writers on this one have got it goin’ on!

And then there’s Wreck It Ralph.  Amazing!  The script is just awesome.  I’ve never heard the term “Pixar Level Script” until I heard people all abuzz about this film.  And it’s true.

How awesome for Pixar to have put out such a consistently amazing product that it’s become synonymous with tight storytelling. Trailer below.

And now I’m off to the cafe to sit and think and drink awhile while I stir the pots that have been simmering on my back burners.  Recently my mind stove has upgraded from a two element deal to four.  :O!  This means I have to pick my next project?  I have multiples I could be pursuing?  Man oh man.  Well, time to go suss them out.

Thanks for reading.  Hope you get a chance to take in some amazing storytelling on the big or small screen!

Heidi out.

P.S. Cloud Atlas is next up on my list, and hopefully this week I’ll get to Seven Psychopaths as well.  It’s a good fall for movies! 

When it’s Not Hip to be Square: Aspect Ratio Madness

It’s everywhere, and it causes me physical pain.  Yes, Projectionists around the globe are being tortured every day by being exposed to incorrectly formatted aspect ratios.

Sports bars are the worst for this.  Many broadcasts are not meant to be viewed in widescreen format, but the widescreen TVs stretch the program to fit its dimensions.

Absolutely terrible.

A brief warning: if you continue reading this, you too will see the atrocities being committed in plain sight on TVs around the globe.  You might not be able to unsee.  However, I feel like if enough people know about this, we might be able to change it, and get all TVs displaying programs in the intended aspect ratio.

That out of the way, let me begin by sharing one of my favourite frames from a film.

This is from Fight Club, and it depicts Tyler Durden, the most famous Projectionist, pointing up at a “cigarette burn”.  These are markings on the film that tell the Projectionist when to ‘changeover’ and switch between the projectors that are showing the film.  They are at the beginning and end of every reel of film.

Now, let me show you the image as it is printed on the actual piece of film running through the projector:

Notice that, while it’s width is still the same, the height is greater?  Notice that the previously squashed and oblong cigarette burn is now (almost) a perfect circle?  Notice how Tyler Durden’s anatomy is grotesquely deformed and stretched?

I am Jack’s bursting aneurism.

See, film comes in two formats (mostly- there are others, but odds are, if you’re at a regular theatre, you’re seeing one of these two): flat, with an aspect ratio of 1.33:1 (for every 1 unit tall, it’s 1.33 wide), and scope, with an aspect ratio of 2.39:1 (often called ‘widescreen’).

Projectors have two lenses.  The flat lens shows the film as is, no stretching or distorting. The scope lens stretches is to the proper widescreen aspect ratio.  The images above would represent scope film; the first image as seen projected through the correct scope lens, the second image projected through the incorrect flat lens.

Right!  A few more fun examples before I move on now:
        

The image on the left is how the film actually looks in real life.  The image on the right is adjusted to show how the lens would stretch it, creating the correct widescreen aspect ratio.

Huge difference, right?

Right.  So, back to TVs.  Seems there’s quite a mix of formats being programed.  TV used to be filmed in 1.33:1, the aspect ratio of old cathode ray tube television sets.  Almost a perfect box, right?  A little wider than it is tall, but not by much.

But now, programming is being filmed in widescreen to take advantage of the successor, the widescreen television.  This is great!  Widescreen presentations shown on widescreen televisions are wonderful!  Widescreen TVs are 16:9, or 1.77:1.

The problem comes in when non-widescreen programming is presented on a modern widescreen TV.  Then you get things like this:

        It’s not so bad, right?  WRONG!

The original image looks like this:

As you can see, the ‘stretched’ version grotesquely deforms the actors in the frame, squashing them down, distorting everything.  Check them out side by side:

Booooo!

In most cases, the solution is as simple as pressing a single button: the “zoom” or “wide” button on the remote is the one you’ll need.  Press it, and it will cycle the TV to display another format.  Keep pressing it, and it will take you through all the aspect ratios the TV can display.  Many TVs have this set to widescreen, and what they should be displaying is auto.

TVs know what to display things in; let them do their damn job.

This way, 1.33 content won’t get squashed.  It’ll have black borders on the left and right.  2.39 content will get black bars on the top and bottom, because widescreen TVs are 16:9, an aspect ratio of 1.77, not quite as widescreen as scope films in the 2.39 format.

Oh gosh, this seems like a lot.  Basically: hit the zoom/wide button until people don’t look squashed.  You will be doing all viewers a favour.  If anyone protests, please step on their face.  Aw, that seems a little mean now that I’ve said it.  Perhaps whip out a pen an paper and illustrate what you just learned?

Nope, stepping on their face is easier.

You made it to the end!  Bonus pics for you, and you, and YOUUUUUU!

Note: no film prints were harmed in the making of this blog post; I used my collection of trailers.

PSA Image! (Large version here.)

Thanks for reading.

Heidi out.